2 July 2014: Libertango

Is it possible for a composition, a made thing to be a Being, to have a voice beyond the notes of the composer, the arranger, and the performers? Is it possible for a work of art to demand to be heard and understood, not in the manner of being merely attractive, but in the manner of a person who interrupts your dreams to urgently tell you of their own?

It’s one of those things that doesn’t make sense, and it doesn’t have to. But it happened.

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